Recently in The Passion of the Christ Category

January 11, 2007

Passion of the Christ even more Satanic

It seems that Cutting Edge Ministries are not the only bunch of loony fundies to see all sorts of weird Illuminati symbolism in The Passion of the Christ, as a quick Google reveals. Barbara Aho starts off with a bit of pedantryTechnically, the last twelve hours of the life of Jesus Christ on earth were those preceding His Ascension, however Gibson’s movie covers the betrayal, trial and crucifixion of Jesus—before observing that some of the actors had dubious pasts (and here was me thinking that forgiving of past sins was a Christian thing. Oopsikins). Then it gets interesting, in the way we appreciate here at Prattle Towers (both hemispheres).

It's just a gorefest, okay?

Darn those pesky reviewers who will read deep meaning into Mel Gibson's films, when all he intended was that we be entertained by endless graphic violence! Take yesterday's Grauniad as an example. The "Society" supplement included a discussion of the piece by Giles Fraser, vicar of Putney and a lecturer in philosophy at Wadham College, Oxford. He notes criticism such as that we've already seen.

Apocalypto has been broadly condemned for its racist stereotyping, and historians have pointed out that mass human sacrifice was unknown in Mayan culture.

And he also notes its obvious evangelical intent:

The film's final scene is a shocker. As the gorefest plays itself out, a boat rows ashore bringing Spanish conquistadors and a monk holding high a simple cross. The Mayans look on dumbstruck. The old sacrificial system is about to give way to Christianity. Thus Gibson redescribes the genocide conducted by the conquistadors as a morality tale in which Christianity saves indigenous peoples from the Mayan death cult.

But his main point is that the notorious anti-semite has used the Mayans as a synonym for Jews.

But it's not really Mayans that are in view here. And perhaps that's why Gibson didn't care enough to get the cultural references right. Unfortunately this film is yet another chapter in his none too healthy obsession with Judaism. For Mayan pyramids read Jewish temple. Gibson knows that Jewish temple worship only involved animal sacrifice. None the less, his Mayan high priest draws from some of the worst caricatures of the bloodthirsty Jew as invented during the middle ages.

He's also concerned that the movie represents a sort of theological thinking that Jesus appears to have specifically opposed:

The root cause is a theology associated particularly with Anselm and Calvin. Human beings are wicked and can only make it to heaven if they are punished for their sin, thus righting the scales of justice and wiping clean the slate. The problem is, human wickedness is so deep that the required punishment would be too much for us to bear. So Christ offers to take our place, accepting our punishment in the form of an excruciating crucifixion. It's the story of salvation, as read by the religious right. All sin must be paid for with pain....

Jesus put it pretty clearly when he quoted his favourite passage of the Hebrew scriptures: I desire mercy and not sacrifice. The retributive logic that sin can be cancelled by pain is just what Christ resisted.

Now, this is one of the articles on which the Guardian has invited comments, and they are as entertaining as the one on the Intelligent Design apologia, but in a different way. LabanTall is a believer in the sort of violent Christianity that Fraser and Jesus criticise, and has spotted that our correspondent has an obviously Jewish name:

If it's true that Mr Fraser is a convert from Judaism, my theory is that the Chief Rabbi sent him undercover - as a 'sleeper' - for a joke, to see how idiotically right-on a Church of England vicar could get before he was rumbled and thrown out. He's discovered that the CoE is a broad church - any amount of liberal lunacy is acceptable.

Leftwingorthodoxjew breaks rank with the Conspiracy to assure him that he is right on the mark with his suspicions:

sure you have Fraser rumbled - I can reveal his real name is Emmanuel Goldstein, he is also related to Lazer Wolf the butcher

It is a well known fact that the Chief Rabbi sends sleepers to all the major faiths (we draw the line of course at Scientology) and we are all having a big laugh about it at the expense of the gullible Christians...

just off to bed to grow my horns a bit longer now - good night

A Christian snuff movie that links blood with salvationThe Guardian, 10th January 2007.

January 7, 2007

Mel Gibson in racism shocker!

So, what happens when you get an authority on Mayan culture to review Mel Gibson's latest violent pornfest, Apocalypto? Traci Arden, writing in Archaeology magazine, was disturbed, and not only by the inaccuracies:

The thrill of hearing melodic Yucatec Maya spoken by familiar faces ... during the first ten minutes of the movie is swiftly and brutally replaced with stomach churning panic at the graphic Maya-on-Maya violence depicted in a village raid scene of nearly 15 minutes. From then on the entire movie never ceases to utilize every possible excuse to depict more violence. It is unrelenting.

Not surprisingly, the film is not historically accurate in any way, although considerable effort was made to keep it visually so, but this seems to be to support an evangelical and racist message:

And who really cares that the Maya were not living in cities when the Spanish arrived? Yes, Gibson includes the arrival of clearly Christian missionaries (these guys are too clean to be conquistadors) in the last five minutes of the story (in the real world the Spanish arrived 300 years after the last Maya city was abandoned). It is one of the few calm moments in an otherwise aggressively paced film. The message? The end is near and the savior has come. Gibson's efforts at authenticity of location and language might, for some viewers, mask his blatantly colonial message that the Maya needed saving because they were rotten at the core. Using the decline of Classic urbanism as his backdrop, Gibson communicates that there was absolutely nothing redeemable about Maya culture, especially elite culture which is depicted as a disgusting feast of blood and excess...

I know the Maya practiced brutal violence upon one another, and I have studied child sacrifice during the Classic period. But in "Apocalypto," no mention is made of the achievements in science and art, the profound spirituality and connection to agricultural cycles, or the engineering feats of Maya cities. Instead, Gibson replays, in glorious big-budget technicolor, an offensive and racist notion that Maya people were brutal to one another long before the arrival of Europeans and thus they deserve, in fact they needed, rescue.

The same excuses used to subjugate them for the last 500 years, it seems. Up until 10 years ago, the Guatemalen army was systematically killing off the Maya, simply because they were Mayan.

Is "Apocalypto" Pornography?Archaeology, 5th December 2006.

January 1, 2007

Passion of the Christ satanic!

It was inevitable, I suppose, but while researching the forthcoming end of the world, I encounted a series of articles about the occult nature of The Passion of the Christ at Cutting Edge Ministries. Of particular interest to us is WHY IS ANTICHRIST SYMBOLISM PREVALENTLY SHOWN IN "THE PASSION" where, we are promised, we will discover the symbolism of "Jesus"' naked buttocks in the last scene, among other things. But the first thing we learn is that antichrist and Roman Catholic are one and the same.

Once our journalistic investigations prior to the opening of "The Passion" had revealed strong occult Roman Catholic influences in the creation and the direction of the movie, I felt that we should see a significant Illuminati signature depicted somewhere in the movie.

It starts early. Apparently the virgin birth is nothing but a Satanic deception planted by Auld Nick himself. But it's the eyes of the Christ character that are the most obvious Satanic symbols in the film.

In the Garden of Gethsemane, Jesus is repeatedly punched in the face by Caiaphas' guards. After this savage fist beating, Jesus' face is swollen and very puffy. In fact, His right eye is completely closed. For the rest of the movie, Jesus is shown as being able to see only out of His right eye, as this picture clearly demonstrates. Right up until the time of His death on the cross, Jesus is able to see out with only one eye. In other words, Jesus is a one-eyed Messiah for the vast majority of this movie.

Does this mean Jesus is really Odin then? I mean, there's the one-eye thing, and the hanging on a tree thing...

Was that an All-Seeing Eye of Illuminized Freemasonry, the One-Eyed Wisdom and Benevolence of Providence.?

This is also where Jesus' bum comes into it, as He is seen leaving His tomb in his bare scuddies (and bare everything else, too).

Carefully consider this fact: that depiction was totally unnecessary to this film! The Gospels do not record that Jesus left the tomb naked; Sister Anne Emmeric did not see in her "visions" that Jesus was naked as He left the tomb. Therefore, why would Gibson and his Jesuit script writer concoct such an ending? Since Gibson reportedly spent $50 million of his own money to make this film and get it distributed, and since he is a proven professional screen director, you know that he paid attention to every detail, no matter how minute. You know that he knew this film was going to end on Jesus' bare bottom, so that must have been the plan.

But why, and does this mean Jesus isn't Odin after all? Apparently the C.F.R. (Council on Foreign Relations) portrays Antichrist as a one-eyed, left-eyed naked Messiah riding a white horse. It only seems to have four legs though. As you can imagine, Cutting Edge Ministries have a rather unusual view of the CFR. But back to the point, after observing that The Moslems believe that an Antichrist is to appear who will have 'one eye' and that it's only ever the left eye that is shown, they come to a stunning conclusion.

Therefore, you can only now conclude that the reason Gibson showed "Jesus" bare buttocks was that he was providing the second part of the Antichrist symbol - A one-eyed Messiah who is naked!

Right. Now,if only they could work in the Odin bit, to match their Mary-as-Pagan-Goddess bit...

September 13, 2006

Good Christian heterosexual marriage.

United Kingdom: Here at Prattle Towers, we are usually sceptical of claims that the media causes crime, but that's because we rarely get to see a case as definitive as that of Michael and Patricia Watson.

The Watsons, a married couple, celebrated Mr. Watson's birthday with a meal and a bottle of wine before settling down to watch some violent pornography, Mel Gibson's The Passion of The Christ. Magistrates in Bedlington, Northumbria, were told of the events which allegedly followed.

Mrs Watson left the room, and her 44-year-old husband became so upset by the graphic depiction of the Crucifixion that he pulled the leads out of the television and went upstairs.

His wife then decided to watch the God Channel and went to ask him why the television was not working.

Yvonne Jobling, for the prosecution, said that an argument developed, and Watson accused his wife of being evil. He grabbed his wife by the throat and she fell to the floor. She said: His grip was so tight she was unable to speak, but she then managed to say something of a religious nature which seemed to cause him to relax his grip.

Magistrates in Bedlington, Northumberland, were told that Mrs Watson, a 51-year-old care worker, had gasped: I’m anointed by God. You know that, Michael. Do not touch God’s anointed. Mrs Watson, who was left with red marks and soreness to her neck and a grazed forearm, later told police that she had believed that her husband was going to kill her. Watson told the police that everything his wife said about him must be true because she never lied.

'Don’t strangle the anointed one,' wife pleaded in row over Mel Gibson filmThe Times, 12th September 2006.

July 31, 2006

Drunken Actor Behaves Like Prat

United States: Mel Gibson has something of a reputation in Australia for his drunken ways. It looks like he's well and truely fallen off the wagon once again.

Gibson, whose controversial 2004 film The Passion of the Christ was a major hit, was arrested in the early hours of Friday morning for allegedly driving speeding along the Pacific Coast Highway in Malibu, the beach town north of Los Angeles.

August 26, 2004

God vents anger on Passion town

Italy: God is clearly still annoyed over The Passion of the Christ, and continues to use His traditional weapons against it. Not satisfied with the lead actor being struck by lightening twice, He has apparently sent a plague of locusts to Matera, where much of the film was made. The locals were hoping for a boost in tourism, but the locusts mean they have stayed away:

Reports indicate that the pests have wrecked the local economy to such an extent that some businessmen have even started calling for emergency.
The locals though are helpless to carry on the fight against the pests.
We have been assailed by locusts. My wife was on the table screaming, my daughter was awake all night and, although I was armed to the teeth, I was helpless, the paper quoted a local Nicolo Catucci near Bari as saying.

Christ's 'Passion' lures the locusts to attack Matera! - Webindia123.com, 26th August 2004.

July 3, 2004

Mickey Mouse born again

United States: Disney is giving away a free Bible study guide to promote thier new film America's Heart and Soul, a political fantasy promoing the non-existent fundie version of the family. Or, as morons.org puts it, a moving compilation of touching scenes from American life, that (and I have seen the trailer) looks straight out of a nauseating Bush campaign ad.

Disney offering free Bible study guides. - Mickey News, 3rd July 2004.

June 12, 2004

Gibson Takes a Swipe at Packer

Australia: Gibson is suing the company that distributed his snuff flick on the grounds that they gipped him out of his cut of the profits. Money certainly does speak louder than the tenets of the bloke he claims to venerate.

Jesus may have chased the money men out of the temple, but Mel Gibson claims they left without paying him a fortune in box office receipts.

Icon Distribution, Gibson's film company, is suing Regal Entertainment Group, the largest cinema company in the world, for $US40 million ($57.2 million) and as much as $US20 million in damages for allegedly reneging on a distribution contract for Gibson's film, The Passion of The Christ.

Icon claims that Regal, of which James Packer is a director, did not pay up its fair share of ticket revenue for the film, which beat all expectations when it opened to huge controversy in February.

June 7, 2004

'Satan' to Mel: 'Pthrrrrpp!!!!!!!'

United States: Harry Potter and the Prisoner of Azkaban has set a new record for opening day takings, and is third, behind Spider-Man and Shrek 2 for all-time opening weekend takings. In comparison, The Passion of the Christ is eighth in the all-time US opening weekend chart, proving less popular than any of the Harry Potter films, The Matrix Reloaded and X2: X-Men United. All three Harry Potter movies thrashed Mel Gibson's vanity pic on the opening day as well. Fundies who think Harry Potter is the work of Satan may draw their own conclusions.

New 'Potter' sets June box office records - Detroit Free Press, 7th June 2004; All Time Box Office Opening Weekends and All Time Box Office Top Opening Day Grosses - Box Office Mojo, 7th June 2004 (this latter chart disagrees with the press reports, and places Spider-Man top).

June 1, 2004

Pope Pimps Gibson's Vanity Pic Again

Vatican: As if pimping the film first time around wasn't bad enough, the boys in the frocks and silly hats have set the wheels in motion to offer up a sainthood to the mad old broad who wrote the book that inspired Gibson to inflict his drivel on the world.

The 19th century German nun whose blood-soaked visions of Jesus's death inspired Mel Gibson's film The Passion of The Christ will soon be put on the path to sainthood, Catholic Church officials have said.
Anne Catherine Emmerich, a sickly mystic who lived from 1774 to 1824, has already reached near cult status among traditionalist Roman Catholics for the book that gave Gibson the grisly details the Gospels did not provide.

April 17, 2004

Tearing Down The Passion

United States: Mark Morford takes great delight in tearing apart Mel's bizarre ultraviolent blood-drenched revisionist flick; The Passion of the Christ.

Perhaps you, like so many across the planet, are more than a bit baffled by the runaway success of The Passion of the Christ.
Perhaps you, furthermore, are more than slightly disturbed that millions have flocked to this bizarre ultraviolent blood-drenched revisionist flick and that so many actually believe its story to be absolutely true, and that it just surpassed The Return of the King in total box office and is the No. 8 most successful film of all time and it was No. 1 again across BushCo's flyover states during Easter weekend and has sold 650,000 books and 125,000 creepy pewter nail necklaces [BugMeNot] and you find it all just incredibly warped and disheartening and what the hell is the world coming to.
You are not alone.

April 15, 2004

Red Wolf will be proud

Australia: Mel Gibson's sado-masochistic fantasy has failed to impress Australian cinema-goers.

In stark contrast to Kidman's success, The Passion of the Christ is struggling to make a mark down under. Mel Gibson's Gospel picture has been only a moderate success in Australia and notably failed to benefit from the Easter boost that propelled it back to the top of the American box office this week. In fact, The Passion of the Christ could only make number six in the Aussie chart, with its A$805,000 (£332,000) weekend gross easily eclipsed by Starsky and Hutch, which opened on A$3.5m (£1.4m). The theory that there would be a Jesus revival at the flicks at the weekend was a myth, sniffed the Sydney Morning Herald.

In brief: Schrader's Exorcist comes back to life - The Guardian, 15th April 2004.

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